78
days of bombing
First soundtrack album for the Documentary "Vladika Artemije – From Shepherd Boy to Pastor"
The documentary Vladika Artemije – From Shepherd Boy to Pastor tells the life story of the late Bishop Artemije, a figure of unwavering faith and resilience. My musical composition for this film was created to reflect the depth of his spiritual journey, the trials he endured, and the legacy he left behind.
A significant part of this soundtrack is the album 78, which consists of eight compositions that paint the 78 days of bombing—a crucial segment of the film. This album captures the intense emotions and hardships of this historical period, serving as both a standalone musical work and an integral piece of the documentary’s broader narrative.
Drawing inspiration from the film’s rich archival material, testimonies, and historical context, the soundtrack weaves together atmospheric soundscapes, solemn orchestration, and traditional motifs. The use of deep, resonant strings and choral textures evokes a sense of reverence, while subtle electronic elements provide an ethereal backdrop to the narrative.
Each segment of the film is supported by a carefully crafted musical theme, designed to enhance the emotional weight of the story. From the early, introspective moments of Bishop Artemije’s childhood to the solemn reflections on his exile, the score mirrors the film’s progression, guiding the audience through his journey with a sense of solemnity and devotion.
This composition serves not only as an accompaniment to the film but as an extension of its message—a tribute to faith, perseverance, and the search for truth in the face of adversity.
Premiere Screening of the Documentary Film
On November 12th, the premiere of the documentary “Bishop Artemije – From Shepherd Boy to Spiritual Shepherd” was held at Akademija 28 in Belgrade, organized by the Eparchy of Raška and Prizren in exile.
The film, directed by Violeta Petrović, portrays the life, faith, and exile of Bishop Artemije through testimonies and archival material. The event drew a full audience, with many turned away due to limited space. The screening was followed by a Q&A with the director.
For more details, visit the following link.
RECOGNITION
"As a sign of appreciation for the active love shown in the fight for preserving the purity of the Holy Orthodoxy, and for the zeal toward the House of God and its beauty.
May God’s blessing be always with you and your pious household."
In 2025, I was honored with a Certificate of Gratitude from the Raška-Prizren Diocese in Exile, awarded for my musical contribution to a documentary film. This recognition reflects not only the creative spirit of the work, but also its resonance with the values and traditions of the Serbian Orthodox Church. I’m grateful that my music could support a story of faith, perseverance, and heritage.
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SEMPRE
Sempre is a cinematic, ambient instrumental inspired by stillness and solitude.
Composed & later filmed in the serene landscapes of Divcibare, Serbia - among forests and mountain views-piece invites you to slow down and just be.
MIRa
bilis
Inspired by the haunting ambiance of the “Mileva: Mi smo stena” exhibition in Novi Sad, I present to you Mirabilis.
Born from a room of shadows and echoes — it drifts through fractured light and memory. A ghostly piano hums beneath layers of ambient dust, where silence bends & reflections pulse. It’s not a story, but a residue—an afterimage of something once felt, now reassembled in sound.
bisonium
Bisonium, from Latin meaning “need” or “longing,” is a sonic reflection of inner hunger and quiet desire. The track blends tension and release, weaving synth textures into a soundscape where yearning becomes both fragile and powerful.
First encounter of my music & movie screen.
First Frames, First Notes.
The earliest moments where my music stepped into the frame
